We’ve had an R18+ rating for video games since 2013, so not sure why Hotline Miami 2 wouldn’t have been able to receive classification.
Funnily enough, I own the game on Steam, so at some point Valve also made the same mistake. But at least they won’t pull the game from my library.
This is useful for countries where the Steam Deck is unavailable but other handhelds aren’t. Here in Australia, Steam Decks are only available as grey imports, and that makes warranty issues a potential headache, but you can walk into most electronic retailers and buy a ROG Ally off the shelf.
That said, I personally wouldn’t buy a handheld that didn’t have touchpads, so I bought a grey import and have had no issues.
I don’t think that’s their goal at all. Otherwise we wouldn’t see any sequels released on PC, that would be a much better strategy for converting players to console. The only reason publishers require their own logins in games, at least for single-player titles, is data collection. Data is very valuable.
They’re referring to Sony’s stance that all their PC releases should require you to have and sign-in to a PSN account. That’s separate to PS+, you don’t need to pay a sub.
A lot of publishers include this requirement on their PC releases, regardless of whether they’re single-player or multiplayer, and I think a lot of people are fed up with having to have so many different accounts.
That probably would be a better solution. Particularly since the rating system is pretty easy to ignore. And if they do start slapping the R18+ rating on games that don’t really warrant it like Mario Party, people will be more likely to simply dismiss the entire system.
I would hope that the government and ratings board wouldn’t be that stupid, but look at how long it took to give us an R rating for video games in the first place.
I think the government could definitely be doing more, but I don’t think it’s a bad thing to force companies to clearly disclose the nature of their products so consumers can make informed choices.
I think the major difference between the two is that in video games, the cost of the loot boxes is deliberately obfuscated through the use of whatever single-use currency the publisher has dreamed up, and made worse by the fact that the currency is only purchasable in select denominations, meaning you’re always spending more than you’re going to use.
You’re not wrong that there are plenty of examples of physical “loot boxes” marketed at children, but at least with those you know exactly how much it costs straight up.
I wish our government would look into the actual predatory practices that these publishers are using in these games, but this is a good first step. At least the EU is looking into it.
Just want to point out that it might not be OP’s fault. The ABC (Australian Broadcasting Corporation, not the one folks in the US will be used to) has a habit of switching the headline depending on whether you’re viewing on mobile or web. I wish they wouldn’t, the clickbait headlines can be a bit of a distraction from otherwise generally high-quality articles.
Just make sure your family has a way to access your account. I very much doubt that Valve or most publishers will care that your kids have access to decades-old games after you’re gone. Although I could see Ubisoft trying to take action out of spite, but that’s only if they’re still around by then, they’re on pretty shakey ground at the moment.
Better option if this is an important issue for you is to only buy DRM-free. You’ll have to wait for most AAA games, but most AAA games these days are increasingly not worth it anyway.
To be fair, half of the AAA gaming industry is all about trying to clone the latest successful game with a new coat of paint. Maybe using AI to make these clones will mean that the talented people behind the scenes are free to explore other ideas instead.
Of course in reality, it just means that the largest publishers will lay off a whole lot of people and keep churning out these uninspired games in the name of corporate profits, but it’s nice to dream sometimes.
Thanks for this, I’m going to try this out on my way home. My main use for Gmaps is to determine the quickest way to and from work during peak hour, so keen to see how Magic Earth’s traffic data compares.
I’m playing through New Vegas right now. I have one of the back buttons assigned to quicksave. I also changed the default camera button to one of the back buttons, because I don’t use it often enough to warrant it being on the bumpers. And I have just assigned one to toggle collision, because sometimes you need that when playing something built in the Gamebryo engine.
Hifi Rush is in Humble Choice this month, and I noticed they have a redemption deadline which is a bit out of the ordinary. So it’s possible it’ll get delisted, or maybe Humble is just playing it safe with the keys they have.
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For context, the conservative party here in Aus is pushing hard for a transition to nuclear power, rather than renewables.
At least here in Australia, we believe in the right for a select group of billionaires to make money off the land in the form of coal mining, and renewable energy threatens that right.
Now that the world is turning away from coal as much as possible, we’re now pivoting to allow a select group of billionaires to make money off the land in the form of uranium mining, and renewable energy also threatens that.
I never owned a NES, but had a SNES and my brother also borrowed his friend’s Mega Drive (Genesis for those of you in the US) from time-to-time. All of us would blow the connectors on the cartridges, regardless of console. If anything went wrong with a game, the first step to troubleshoot was to take the cartridge out and give it a good blow.
It was never about how the console actually worked, a five year-old isn’t going to logically think about that. It was all about a perceived performance increase by doing it.
That’s an oversimplification. All works are derivative to some extent. There’s a huge difference between taking inspiration from something, to taking the characters and setting from something. Particularly if you’re intending to make a profit.
If an author makes something that a large number of people enjoy, why shouldn’t they be able to make money off it for the rest of their life? Why exactly should an individual give up the rights to their creation simply so that someone else can use their characters and their worlds?
To be clear, I’m talking solely on an individual level. I think the system we have where a corporation can own an idea is very broken. I’m also talking about this from a perspective of the world we currently live in. In an ideal world where money wasn’t the endgame for survival, ideas would flow more freely and nobody would need to care. But that’s not the world we live in.
I think an argument could be made to set it to the date of death of the author. I agree with the other guy that it should only apply to commercial works though.
I also don’t think that the copyright should be transferable. The trading of ideas is an absurd concept to me. But then us humans do a lot of absurd things so I guess it’s just par for the course.
Oh, absolutely. I was only commenting on the weird timing, the game was released 2 years after an adult rating for video games was implemented.
We definitely have an odd and often archaic view on things here in Aus. Personally I think the classifications should be a purely informative system rather than something that decides whether or not something should be banned. Films are given much more artistic leeway than video games, and I could rant for hours on the government’s stance on gambling, which is much more harmful than most things you’d find portrayed in any artistic medium.